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69
Chapter 6 Using the Built-in Effects
Chap.
6
28: OD ➔ DLY (Overdrive ➔ Delay)
This effect connects an overdrive and a delay in series.
fig.6-31
OD DRIVE 0–127 #
Specify the amount of distortion for the overdrive. The
volume will change together with the amount of distortion.
OD PAN (Overdrive pan) L64–0–R63
Specify the stereo location of the overdrive sound.
A setting of L64 is far left, 0 is center, and R63 is far right.
DLY TIME (Delay time) 0.0–500 ms
Specify the time delay from the original sound until the delay
sound is heard.
DLY FEEDBACK (Delay feedback level) -98–+98 %
Specify the proportion (%) of the delay sound that is to be
returned to the input.
Positive (+) settings will return the sound to the input with
the original phase, while negative (-) settings produce an
inverted phase.
You can set a value from -98% to +98%, in steps of 2%. There
is no feedback when the value is zero.
DLY HF DAMP (Delay HF damp)
200/250/315/400/500/630/800/1000/1250/1600/2000/2500/3150/
4000/5000/6300/8000 (200–8000 Hz), Bypass
Specify the frequency at which the high frequency range of
the delayed sound returned to the input will be cut.
If you do not want the sound to be cut, select Bypass.
DLY BALANCE (Delay balance)
D100:0E–D0:100E
Specify the volume balance between the overdrive sound
that does not pass through the delay and the overdrive
sound that does pass through the delay.
A setting of D100:0E will output only the overdrive sound,
and a setting of D0:100E will output only the overdrive
sound that is passed through the delay.
LEVEL (Output level) 0–127
Specify the output volume.
29: DS ➔ CHO (Distortion ➔ Chorus)
This effect connects distortion and chorus in series. The
parameters are essentially the same as “26: OD → CHO,”
with the exception of the following two.
OD DRIVE ➔ DS DRIVE #
(Specify the amount of distortion.)
OD PAN ➔ DS PAN
(Specify the stereo location of the distortion sound.)
fig.6-32
30: DS ➔ FL (Distortion ➔ Flanger)
This effect connects distortion and flanger in series. The
parameters are essentially the same as in “27: OD → FL,”
with the exception of the following two.
OD DRIVE ➔ DS DRIVE #
(Specify the amount of distortion.)
OD PAN ➔ DS PAN
(Specify the stereo location of the distortion sound.)
fig.6-33
31: DS ➔ DLY (Distortion ➔ Delay)
This effect connects distortion and delay in series. The
parameters are essentially the same as in “28: OD → DLY,”
with the exception of the following two.
OD DRIVE ➔ DS DRIVE #
(Specify the amount of distortion.)
OD PAN ➔ DS PAN
(Specify the stereo location of the distortion sound.)
fig.6-34
L in
R in
Delay
Overdrive
L out
R out
Balance E
Balance E
Balance D
Balance D
Feedback
L in
R in
Chorus
Distortion
L out
R out
Balance E
Balance E
Balance D
Balance D
L in
R in
Flanger
Distortion
L out
R out
Balance E
Balance E
Balance D
Balance D
Feedback
L in
R in
Delay
Distortion
L out
R out
Balance E
Balance E
Balance D
Balance D
Feedback