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Appendix Lexicon
Appendix, continued
*Surround-Halls+Ambience
Number Name Algorithm Description
B3 P1
Lg Stage + Hall
Surround
Ambience
A stage in the front and hall around you. This one is about a 33 meter stage and a
38 meter hall.
B3 P2
Med Stage + Hall
Surround
Ambience
A stage in the front and hall around you. This one is about a 14 meter stage and a
25 meter hall.
B3 P3
Small Stage + Hall
Surround
Ambience
A stage in the front and hall around you. This one is about a ten meter stage and a
15 meter hall.
B3 P4 Brite Stage + Hall
Surround
Ambience
Medium-sized, bright stage and a fairly large hall.
B3 P5 Small MT Stage
Surround
Chamber
Empty performance space with an empty stage.
B3 P6 Verb Behind You
Surround
Chamber
Strong reverb sent to the rear channels keeps front dry and focused, while large
space envelops the listener and gives great distance behind.
B3 P7
Front Row
Surround
Ambience
Adjust reverb and ambience levels to bring yourself closer to or farther from the
stage.
B3 P8
Bright Stage
Surround
Ambience
Fairly bright stage with a darker large hall.
B3 P9
Big Stage
Surround
Ambience
Early reflections mimic a very large stage area and reverb supplies the large hall
around it.
B3 P0 On Stage
Surround
Ambience
With outputs panned to the sides and reverb levels adjusted accordingly, this
emulates the sound of being on a stage, with the reverb decaying in front.
Surround Bank 3: *Stage+Hall
*Surround-Chambers
Number Name Algorithm Description
B4 P1
Round Chamber
Surround
Chamber
Big empty space with strong bottom end. Consider using this on anything from
dialog to Tom-Toms.
B4 P2
Bright Chamber
Surround
Chamber
Medium-sized, fairly bright space with about a one second MidRT. Good all
around chamber.
B4 P3 Small Chamber
Surround
Chamber
Small bright space. About half-second MidRT. Great on drums.
B4 P4
Short Chamber
Surround
Chamber
Fairly small room Size and MidRT of around 0.7 seconds. Good multi-purpose
utility chamber.
B4 P5 Tight Chamber
Surround
Chamber
Very small bright space. Shortened MidRT lends a more abrupt release. Good for
when you want the reverb short, but don’t want to use a gated effect.
B4 P6
Gately Chamber
Surround
Chamber
Extremely short MidRT setting gives a very abrupt cutoff, but is still more "natural"
than a full gate.
B4 P7
Slap Chamber
Surround
Chamber
Nice for adding strength. Slap delays are up front. Use Joystick to change effect.
B4 P8 Buck’N Chamber
Surround
Chamber
This is a gate-type effect. Hold on!
B4 P9
Off the Back Wall
Ambient
Chamber
Much movement from front to back. This program is useful for live concert
ambiences as well as dramatic singular effects.
B4 P0
Hotel Foyer
Ambient
Chamber
This airy space is like the medium-sized, reflective lobby in many hotels.
Surround Bank 4: *Chambers