Filter
Top Products
FIVE Monitor Functional Description 4.7
8
EEQQ
The stereo EQ section comprises four fully parametric bands, with adjustable Q.
Each section has a dual concentric control providing 15dB boost or cut (upper
knob) at a variable frequency (lower knob) and a separate Q control.
HHFF
The HF section is fully sweepable from 1kHz to 20kHz. Q is variable from 0.5 to
3.0, or the band may be switched to a shelving response by pressing the associated
SHELF switch.
HHMMFF
The HMF spans the range 500Hz to 8kHz. Q is variable from 0.5 to 3.0.
LLMMFF
The LMF spans the range 70Hz to 1.5kHz. Q is variable from 0.5 to 3.0.
LLFF
The HF section is fully sweepable from 30Hz to 480Hz. Q is variable from 0.5 to
3.0, or the band may be switched to a shelving response by pressing the SHELF
switch.
9
EEQQ
The EQ section is active when the EQ switch is pressed, and bypassed when the
switch is released, allowing easy A/B comparison of the signal with or without EQ.
0
LL//RR MMoonniittoorr SSeennddss
A dual-concentric control routes the signal to the L/R output (on the lower section
of the Master Module).
The send is globally switched into stereo as on the mono input, but in a slightly dif-
ferent way. In stereo mode, the control works as upper=level, lower=balance,
with the left half of the module routed to the L bus and the right half to the R bus.
The balance control then gives unity to both sides when in centre, and +4.5dB to
one side when fully turned that way, and OFF to the other side.
In mono mode, the upper and lower knobs are both level controls, the upper
feeding a mono sum (pre or post-fade as selected by the PRE switch) to the L bus
and the lower a mono sum to the R bus, with a gain of 5dB at full rotation.
The send is muted unless the ON switch is pressed, and may be switched pre-
fader by pressing the PRE switch. The pre-fade source may be configured as pre-
fade/post-mute, pre-mute or pre-EQ/pre-insert using internal jumpers. (see chap-
ter 2).
q
MMoonnoo//SStteerreeoo MMoonniittoorr SSeennddss
The sends to outputs 9-16 (24-bus consoles) or 1-16 (32-bus consoles) are on dual
concentric pots, and each row can be configured at the touch of a button as either
a stereo send or a pair of mono sends. In stereo mode, the controls work as
upper=level, lower=balance, with the left half of the module routed to the L bus
and the right half to the R bus. The balance control then gives unity to both sides
when in centre, and +4.5dB to one side when fully turned that way, and OFF to
the other side.
In mono mode, the upper and lower knobs are both level controls, the upper
feeding a mono sum (pre or post-fade as selected by the PRE switch) to the L bus
and the lower a mono sum to the R bus, with a gain of 5dB at full rotation.
32-bus console