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Using Insert Effects
This is an effect for four-channel microphone recording.
It provides the effects needed for recording with multiple
microphones.
fig.4-InputMulti.eps
Low Cut
Compressor/Limiter
Equalizer
Noise Suppressor
This provides an independent compressor/limiter for each
track.
It allows you to make the playback volume of each track
more consistent.
fig.8trackComplim.eps
Compressor/Limiter
This is an effect that produces a long sustain by evening out
the volume level of the input signal. You can switch it to a
limiter to suppress only the sound peaks and prevent
distortion.
BANK : 4INPUT
12. 4-INPUT MULTI
BANK : 8TRACK COMP
13. 8-TRACK COMP/LIM
-[L.CUT]-[COMP/LM]-[EQ]-[NS]-
-[L.CUT]-[COMP/LM]-[EQ]-[NS]-
-[L.CUT]-[COMP/LM]-[EQ]-[NS]-
-[L.CUT]-[COMP/LM]-[EQ]-[NS]-
-[COMP/LM]-
-[COMP/LM]-
-[COMP/LM]-
-[COMP/LM]-
=[COMP/LM]=
=[COMP/LM]=
Parameter List
COMPRESSOR/LIMITER
Parameter/
Range
Explanation
ON/OFF
OFF, ON
Turns the COMPRESSOR/LIMITER
effect on/off.
MODE
Selects the COMPRESSOR/LIMITER mode.
COMPRESSOR The effect operates as a compressor.
LIMITER The effect operates as a limiter.
TYPE
COMPRESSOR
BOSS COMP
Models the BOSS CS-3 compact effects
processor.
HI-BAND
This is a compressor that adds an even
stronger effect in the high end.
LIGHT This is a compressor with a light effect.
D-COMP This models a MXR DynaComp.
ORANGE
This models a DAN ARMSTRONG
ORANGE SQUEEZER.
FAT
When applied heavily, this compressor
effect provides a fat tone with a boost-
ed midrange.
MILD
When applied heavily, this compressor
effect produces a sweet tone with the
high end cut.
LIMITER
BOSS LIM This selects a stereo limiter.
RACK 160 D This models a dbx 160X.
VTG RACK U This models a UREI 1178.
SUSTAIN *1
0–100
Adjusts the range (time) over which
low-level signals are boosted. Larger
values will result in longer sustain.
The trademarks listed in this document are trademarks
of their respective owners, which are separate
companies from BOSS.
Those companies are not
affiliated with BOSS and have not licensed or
authorized BOSS’s BR-800. Their marks are used
solely to identify the equipment whose sound is
simulated by BOSS’s BR-800.
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