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9. Installation menu
This function may cause undesired effects on standard sources, therefore it can be disabled (OFF) at any time
2:2 pull-down
The process of transferring 24-frames/sec film format into video by repeating each frame (used for PAL DVD’s) as two
video fields. ( AD )
3:2 pull-down
Method used to map the 24 fps of film onto the 30 fps (60 fields) or 25 fps (50 fields), so that one film frame occupies
three video fields, the next two, etc. It means the two fields of every other video frame come from different film frames
making operations such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can
unravel the 3:2 sequence to allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence
repeats every five video frames and four film frames, the latter identified as A-D. Only film frame A is fully on a video
frame and so exists at one time code only, making it the editable point of the video sequence.
Artefacts
Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be
eliminated in order to achieve a high-quality picture. Most common in analog are cross co
lor and cross luminance.
Most common in digital are macroblocks, which resemble pixelation of the video image.
Enabling/disabling the film mode detection
1. Push the cursor key ↑ or ↓ to highlight File service. (menu 9-12)
2. Press ENTER to select.
The File service menu will be displayed. (menu 9-13)
3. Press ENTER to toggle between ON and OFF.
ON
Film mode is enabled.
OFF
Film mode is disabled.
Installation
Input slots
File service
Internal pattern
When no signal
Source transition
OSD configuration
Language
V-Keystone
H-Keystone
Global keystone
Orientations
Back
Menu 9-12
File service
Auto search ON
Film mode ON
Color space
Back
Menu 9-13
9.4.3 Color Space
Color Space
The color range between specified references. Typically references are quoted in television: RGB, Y, R-Y, B-Y, YIQ,
YUV and Hue Saturation and Luminance (HSL). In print, Cyan, Magenta, Yellow and Black (CMYK) are used. Moving
pictures between these is possible but requires careful attention to the accuracy of process
ing involved. Operating
across the media--print, film and TV, as well as between computers and TV equipment--will require conversions in
color space.
About color space
Color space selection is only active for progressive component video signals on the 5-cable (5 RCA) or the Component (3 RCA)
input.
It is possible to change the values of the color matrix with predefined values so that the result color changes.
R5976763 CINEVERSUM 60/70 22042004
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