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Chapter 6 Using the Built-in Effects
Selecting a Type (MULTI-FX TYPE)
Multi Effects provides 40 different effects types (MULTI-FX
TYPE). For each of these effect types, you can specify
parameter values. By changing these parameters, various
effects can be applied.
Parameters for each effects type are given on the following
pages.
1: STEREO-EQ (→p. 55)
2: OVERDRIVE (→p. 55)
3: DISTORTION (→p. 56)
4: PHASER (→p. 56)
5: SPECTRUM (→p. 56)
6: ENHANCER (→p. 57)
7: AUTO-WAH (→p. 57)
8: ROTARY (→p. 57)
9: COMPRESSOR (→p. 58)
10: LIMITER (→p. 58)
11: HEXA-CHO (→p. 59)
12: TREMOLO-CHORUS (→p. 59)
13: SPACE-D (→p. 60)
14: STEREO-CHO (→p. 60)
15: STEREO-FL (→p. 61)
16: STEP-FL (→p. 61)
17: STEREO-DELAY (→p. 62)
18: MOD-DELAY (→p. 63)
19: 3-TAP-DELAY (→p. 63)
20: 4-TAP-DELAY (→p. 64)
21: TIMECTRL-DLY (→p. 65)
22: 2VOICE-P. SFT (→p. 65)
23: FB-P. SFT (→p. 66)
24: REVERB (→p. 67)
25: GATE-REVERB (→p. 67)
26: OD→CHO (→p. 68)
27: OD→FL (→p. 68)
28: OD→DLY (→p. 69)
29: DS→CHO (→p. 69)
30: DS→FL (→p. 69)
31: DS→DLY (→p. 69)
32: EH→CHO (→p. 70)
33: EH→FL (→p. 70)
34: EH→DLY (→p. 71)
35: CHO→DLY (→p. 71)
36: FL→DLY (→p. 72)
37: CHO→FL (→p. 72)
38: CHO/DLY (→p. 73)
39: FL/DLY (→p. 73)
40: CHO/FL (→p. 73)
■ Making Multi-effects Settings
1. Select the patch for which Multi-effect is to be set, and
press [EFFECTS] to go into Patch Edit mode.
2. Use [PARAMETER] to select “MULTI-FX TYPE.”
fig.6-04
3. Use [VALUE] to select the effect type.
4. Press [PARAMETER] to select the setting item for the
effect type selected in step 3.
For a description of the effect type parameters, see the
subsequent section, “About Multi-Effects Parameters.”
5. Use [VALUE] to select the value.
6. Repeat steps 4 to 5 to set all parameters of the selected
effect type.
7. Press [WRITE] to perform the Patch Write operation (p.
36).
* After performing the Patch Write operation, you will
automatically return to Play mode.
* If you don’t want to save the Patch, press [PLAY] to return to
Play mode.
The value of effect type items (parameters) marked with
a “#” symbol can be controlled by the EXP pedal. For
details on EXP pedal settings, refer to “Using the
expression pedal” (p. 47).